Articles written by A Film Review By Willie Krischke


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  • Violent portrayal about how terrible violence is Hacksaw Ridge

    A Film Review by Willie Krischke|Updated Jan 9, 2017

    When he was a young man in West Virginia, Desmond Doss (Andrew Garfield) made a vow to God that he would never touch a gun or intentionally hurt another human being. In "Hacksaw Ridge" there are two incidents that inspire that vow-one, when he is a young boy and hits his brother with a rock. For a few terrible moments, he thinks he's killed him. Then, when he is a teenager, he takes a gun away from his drunken, abusive, self-loathing father (Hugo Weaving) and almost uses it...

  • Sobering versus humanistic

    A Film Review by Willie Krischke|Updated Nov 14, 2015

    Between "Everest," and the "The Martian," the movie-plex this fall seems to be full of films about places where the tiniest mistake can result in almost certain death. If Hollywood is trying to convince me to never leave my couch again, they're doing a pretty solid job. The two films also give us an opportunity to meditate on the human spirit, and our place in the vast universe where we live. "The Martian" is set in an apparently not-that-distant future, where everything is...

  • "Slapstick" violence versus "sledgehammer" message about race

    A Film Review by Willie Krischke|Updated May 12, 2015

    The good people who made Kingsman: The Secret Service feel, in no uncertain terms, that spy movies have gotten all-too-serious. You should know that going in; this movie is silly on purpose. Its object is to be outrageous, it's determined to be daffy, it resolves to be ridiculous. The violence is over the top and cartoonish, which is good, because there is more than enough of it. But cringing every time a character gets his arm broken in Kingsman is like crying every time...

  • Story of memory, identity, and trauma

    A Film Review by Willie Krischke|Updated Mar 21, 2015

    Based on the 1974 novel by James Welch, "Winter in the Blood" is a dreamy, often brutally dark film about an alcoholic on the Blackfeet reservation in Montana. Chaske Spencer plays Virgil First Raise, who lives his life in an alternating state of drunken stupor and hung-over bleariness. There's not much that you could call a plot here. First Raise wakes up in a ditch as the film opens, discovers his wife has left him, heading into town with his rifle and his electric razor,...

  • "...here we are...still talking"

    A Film Review by Willie Krischke|Updated Jan 17, 2015

    "You don't always agree with me, and I don't always agree with you, and yet here we are... still talking." The little boy who plays God (or God's messenger) in Exodus: Gods and Kings says this to Moses near the end of the movie, as Moses carves out the Ten Commandments with hammer and chisel (no finger of God here). And that line may go the furthest to express Ridley Scott's approach to God and spirituality throughout the movie. This is a film filled with profound...

  • "Best job I ever had."

    A Film Review by Willie Krischke|Updated Dec 4, 2014

    This is the toast members of a tank crew all offer to each other at the end of a particularly intense battle sequence in the new World War II drama Fury. They're being sarcastic and/or ironic-all of them would rather be somewhere, anywhere else-but you get the sense that, even in the midst of the joke, they're also speaking the truth. The adrenaline rush of a kill-or-be-killed situation is addictive, and there's nothing like putting everything on the line for a cause that you...

  • Thank God for Community

    A Film Review by Willie Krischke|Updated May 25, 2014

    We have seen His glory, the glory of the one and only Son, who came from the Father, full of grace and truth. –John 1:14 The last part of that verse both inspires and haunts me: full of grace and truth. So often I err on one side or the other, either extending grace but ignoring the truth, which makes me an enabler, both of my own sin and that of my friends. Or I am full of truth but lacking in grace, coming down hard like a hammer, squashing those I am trying to challenge a...

  • The Hobbit: Desolation of Smaug

    A Film Review by Willie Krischke|Updated Jan 19, 2014

    Now that we're two-thirds of the way through it, The Hobbit trilogy is forming up to be Middle Earth-lite. It's an entertaining series of movies for any and all who thought Lord of the Rings was far too serious and grim. Though it occasionally takes stabs at being "epic," these Hobbit movies are far more interested in just having fun in an imaginary world. With that in mind, I'm going to run through The Hobbit: Desolation of Smaug with an eye for its goofiness and fun-loving...

  • Big Action Movie with Sledgehammer Revelation

    A Film Review by Willie Krischke|Updated Nov 23, 2013

    Ender's Game is a movie about war and children. Set in the distant future, humanity has barely survived an attack by a vastly superior alien enemy, almost entirely due to luck and good timing. The aliens look and act like giant bugs, and their faces fill the nightmares of Earth's children every night. And maybe not just the children. The thought of a second bug invasion scares the pants off of Earth's leaders so they are doing everything imaginable to make sure that doesn't ha...

  • Relegating Native Americans to the past The Lone Ranger

    A Film Review by Willie Krischke|Updated Sep 28, 2013

    It seems like all Native America wanted to talk about this summer was “The Lone Ranger” and whether it honored or offended Native Americans. I’ve read articles from Native people on both sides, so I’ll let my words be few on this topic. Frankly, I expected it to be worse. It makes some honest, if clumsy and possibly misguided, attempts to honor Native peoples. Its greatest sin is that it relegates Native Americans to the past. Tonto appears to be the last living Indian,...

  • Fun and fast-paced, it's a hoot!

    A Film Review by Willie Krischke|Updated Jul 27, 2013

    Star Trek: Into Darkness is a hoot. It’s fun and fast-paced, hurtling from one side of the galaxy to the other and then back again. It’s both accessible for newcomers to the “Star Trek” mythology and rewarding for fans who know all the in-jokes. It brings back the best villain of the old “Star Trek” series and movies (though I’m not supposed to tell you that). Director J.J. Abrams is perhaps the best handler of big, complicated set pieces this side of Christopher Nolan. “Into...

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